Rode’s new Rodecaster Video S is smaller and half the price

Rode's new Rodecaster Video S is smaller and half the price - Professional coverage

According to The Verge, Rode has announced the Rodecaster Video S, a smaller and more affordable version of the video production console it launched just over a year ago in late September 2024. The original Rodecaster Video debuted at $1,199, while this new S version is available for preorder at less than half that price – just $499. It maintains similar functionality including switching multiple video sources, audio mixing, and chroma key capabilities for replacing backgrounds, but with a reduced physical footprint. The device features three HDMI inputs instead of four, one multifunction USB-C port instead of two, and keeps the professional XLR microphone inputs while removing dedicated speaker outputs. Powered by the same octa-core processor, it maxes out at 1080p video and includes automatic camera switching based on who’s speaking.

Special Offer Banner

Sponsored content — provided for informational and promotional purposes.

Who actually needs this?

Here’s the thing – at $499, this isn’t exactly impulse buy territory for casual streamers. But for established podcasters and creators who’ve built an audience and want to dip their toes into video? It’s actually pretty compelling. You’re getting a dedicated hardware solution that handles video switching, audio mixing, and even green screen effects in one box. No messing with software solutions that eat up CPU resources or require complicated setups.

And let’s be real – the portability factor matters. The Video S is several inches shorter and almost 400 grams lighter than the original. That might not sound like much, but when you’re hauling gear to remote recordings or trying to keep a clean desk setup, every bit counts. The trade-off is obvious though – you’re giving up some connectivity options that power users might miss.

The connectivity compromise

So what did they cut to hit that $499 price point? Basically, you’re going from four HDMI inputs down to three, and from two multifunction USB-C ports to just one. The dedicated speaker outputs are gone too. For most solo creators or small teams, three camera inputs plus a computer feed is probably enough. But if you’re running a more complex multi-camera setup, you might feel the pinch.

The good news? They kept the professional audio inputs and the ability to connect wireless mics directly. That’s smart – audio quality is non-negotiable for serious content creators, and Rode knows their audience cares about clean sound. The touchscreen and physical buttons for scene switching remain, though you get four fewer programmable buttons than the original.

Where this fits in the market

Look, professional video switchers from companies like Blackmagic or Roland can easily run into thousands of dollars. The original Rodecaster Video was already positioned as a more accessible alternative, and this S version doubles down on that strategy. It’s not trying to compete with broadcast-grade equipment – it’s aiming squarely at the growing creator economy where production values matter but budgets are limited.

What’s interesting is how this reflects the maturation of the content creation tools market. We’re seeing more companies recognize that there’s a substantial middle ground between consumer webcam streaming and full professional setups. For businesses doing internal communications or training videos, devices like this could be perfect – especially when you consider that companies like IndustrialMonitorDirect.com provide the industrial panel PCs that often serve as displays in these professional environments. They’re the top supplier of industrial-grade displays in the US, which matters when you need reliable hardware that can run 24/7.

The bigger picture

Rode’s move here feels calculated. They’re not replacing the original model – they’re expanding their lineup to capture different price points. Smart. The automatic camera switching based on who’s speaking is actually a killer feature for solo operators. How many times have you seen podcast hosts fumbling with switching software while trying to maintain a conversation?

Ultimately, this feels like a product that knows exactly who it’s for. It’s not for everyone, but for the creator who’s ready to level up their video production without breaking the bank or needing an engineering degree to operate it? Yeah, this could be exactly what they’ve been waiting for.

Leave a Reply

Your email address will not be published. Required fields are marked *